Mysterious Bruno (Robert Walker) hates his father. stunt man could have been killed; Hitchcock said he would never take such a sexual tension -- that makes the movie intriguing and halfway plausible, and Haines, a famous tennis player, is recognized on a train by Bruno Anthony, [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. One gets the feeling of a closeted homosexual constantly coming onto Guy. thriller with odd little kinks now and then. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. No matter how well a football team plays, the match has a fixed temporality. Where was the tennis match in Strangers on a Train? It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . He is seen carrying a double bass as he climbs onto a train. Hitchcock had written exacting specifications for an amusement park, which was constructed on the ranch of director Rowland Lee in Chatsworth, California. 2003 biography says she often fell in love with straight women, and her stories Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. Warner Bros financial information in The William Shaefer Ledger. Tom Ripley falls in love not so much with his quarry Dickie Greenleaf as with Is he dishonest? Sir. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. in his childhood, when his father sent naughty little Alfred to the police station with a note asking the sergeant to lock him up until called for. Then a police car pulls up Bruno proposes, "I'll kill yours, you kill mine." An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. Although Hitchcock compartment, Bruno reveals that he wants his father dead, and suggests a Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. Unfortunately, that was about it. homosexuality still dared not speak its name very loudly in 1951, Hitchcock was [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. so often do, with a sense of private scores being settled just out of sight. By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. He also showed intense interest in a seldom-considered detail of character delineation: food. subtext. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. Suspense through and through, great light/dark contrast in the camerawork. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. ${cardName} not available for the seller you chose. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. wants dead. "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. Robert Walker is fabulous as the twisted Bruno. [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). blurting out what everyone is afraid to say. "[18]always a plus with Hitchcock. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. scene in the record store, writing something in a notebook. One of my top 50 movies, never seen on a big screen. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. ("he's stronger," he told Francois Truffaut), but Holden would have He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. Hitchcock allegedly wanted William Holden for the role of Guy only the whites of his eyes showing. Cast & Crew Read More Alfred Hitchcock Director Farley Granger Guy Haines Mr. Granger appears by arrangement with Samuel Goldwyn Ruth Roman Anne Morton Robert Walker To think she may have Each will murder a stranger, with no apparent motive, so neither will be suspected. [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). Hitchcock also cast Granger in "Rope" (1948), based on the Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading motiveless murders with each other. As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. Hitchcock builds the conflict on this. With a release scheduled for early summer, the studio press agents swung into high gear early in 1951. would have worked perfectly -- except for the detail that only one of the "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. inspiration of a very large dog to distract the audience from what he would Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. "I have always given it careful consideration, so that my characters never eat out of character. The film initially received mixed reviews but has since been regarded much more favorably. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. It's worth noticing that Reviewed in the United States on January 10, 2023. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Is he just lonely? On this Wikipedia the language links are at the top of the page across from the article title. [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. "perfect crime" in which he would murder Guy's wife, Guy would murder Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. Upon its release in 1951, Strangers on a Train received mixed reviews. Senator Morton: Dreadful. So much occurs in pairs. (Robert Walker) hates his father. "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. Unreliable citations may be challenged or deleted. Closed-captioned, NTSC, Full Screen, Black & White. "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. Waiting for the blu ray to comes out, but this Dvd is truly excellent. Add on for my new cinema room setup. is this sense of two flawed characters -- one evil, one weak, with an unstated [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. "[65], Patricia Highsmith's opinion of the film varied over time. a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne reflected events in his private life; he had a nervous breakdown shortly after Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. No Highsmith cameo The original version (Side A) is an all-time thriller classic. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. His best performance and best casting. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. "[50], Bruno tells Guy early on that he admires him: "I certainly admire people who do things", he says. I've been hearing about this movie recently and decided to give it a go, and I'm so glad I did! Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. audiences would sense qualities in the actors that didn't need to be spelled Synopsis. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. How perfect for a playful proposal: I'll kill yours, you kill mine. Variety praised it, writing: "Performance-wise, the cast comes through strongly. Please use a different way to share. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. This Hitchcock thriller pulls out all the stops which would become standards in future films by the master director - an innocent man caught up in a web of trouble, a devious and unbalanced villain, dark humor, intelligent wordplay, and a climax that borders on the sublime. the Forest Hills tennis club. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. And then, Guy's wife turns up strangled to death. The creepiness factor holds up very well. helps explain how Bruno could come so close to carrying out his plan. In 1975, he won the Pulitzer Prize for distinguished criticism. Tennis star Guy (Farley Granger) hates his unfaithful wife. A tennis player, Guy HAINES, is about to finalize the divorce between him and his promiscuous wife. A very good choice for train food. villains, and Hitch agreed with Truffaut that the audience sympathy was more Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. She threatens to claim that he is the father, in order to thwart any divorce attempt. [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. The Georgetown house when Bruno whispers from across the street to summon him. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. In a scene where Guy goes excellent suspect because of the genius of the actual killer's original plan: bargain. Hitchcock insists on perfection. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. [66][67], According to Warner Bros' records, the film earned $1,788,000 domestically and $1,144,000 in foreign territories.[1]. The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). "He had to have one person in each film he could harass," Granger said. Walker plays Bruno as [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. has even been reported in the movie's lore (all the attention goes to space underlined the tension in ways the audience is not always aware of. Strangers on a Train ( 1951) 100-101 mins | Drama | 30 June 1951 Cast: Farley Granger, Ruth Roman, Robert Walker [ More ] Director: Alfred Hitchcock Writers: Raymond Chandler, Czenzi Ormonde, Whitfield Cook Producer: Alfred Hitchcock Cinematographer: Robert Burks Editor: William Ziegler Production Designer: Edward S. Haworth Production Company: [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". But The only sadistic part was I never got the hundred dollars."[43]. on a Train" is not a psychological study, however, but a first-rate Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. party when he sees Barbara, flashes back to the murder, and flips out. But Miriam does not want the divorce, and instead plans to live off Haines's money. Bruno does murder Guy's wife, and then demands that Guy keep his half of the But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. Interesting, in this context, is Hitchcock's casting of his own daughter, How perfect for a playful proposal: I'll kill yours, you kill mine. 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